🎦 Eternal Sunshine of the Spotless Mind full movie english download, Eternal Sunshine of the Spotless Mind full movie download mp4 in english, Eternal Sunshine of the Spotless Mind full movie free download in english. 🎬
Eternal Sunshine of the Spotless Mind
Year:
2004
Country:
USA
Genre:
Drama, Fantasy, Sci-Fi, Romance
IMDB rating:
8.4
Director:
Michel Gondry
Jim Carrey as Young Joel
Kate Winslet as Clementine Kruczynski
Gerry Robert Byrne as Train Conductor
Elijah Wood as Patrick
Mark Ruffalo as Stan
Jane Adams as Carrie
Tom Wilkinson as Dr. Howard Mierzwiak
Ryan Whitney as Young Joel
Debbon Ayer as Joel's Mother
Amir Ali Said as Young Bully
Brian Price as Young Bully
Storyline: A man, Joel Barish, heartbroken that his girlfriend Clementine underwent a procedure to erase him from her memory, decides to do the same. However, as he watches his memories of her fade away, he realizes that he still loves her, and may be too late to correct his mistake.
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Reviews
TERRIBLE! The most OVER-RATED movie I have ever seen!
I don't care if this movie is on more than 50 critics top 10 lists. It was, in my eyes, a horrible film. One of the worst films I sat through in a long time. I actually felt I wasted 2 hours of my life I can never get back. I also know 9 other people who rented this mess and hated it just as much. The video clerk called this movie a "stinker." I know I am in the minority here. But I stand by what I say. I would never watch this movie again. Jim Carrey cannot do drama. In fact, he is not much of an actor. He's just a modern day Jerry Lewis. When he attempts to express anguish, he puts on his typical rubber face expressions. I know I am gonna get lots of flack for saying this. But I hated hated hated this movie. It was weird in a bad way, totally stupid, and a waste of Kirsten Dunsts talents. For those of you who praise this film, more power to you. I'll never ever watch it again. I thought it made the "Friday the 13th" films look like Oscar winners. Seriously. Alful, pointless, and enternally boring. I give it a huge thumbs down and a zero rating.
2004-10-14
The Size of the Brick
What an exciting time to be alive! We can actually go to our corner theater and participate in the invention of a new medium. Fundamental elements of the vocabulary are still being explored and invented.

I knew that I was witnessing something important halfway through. Superficially this is another Kaufman exercise in self-reference. Those are always interesting, he knows how to fold the story with methods of telling the story plus a third story about those methods. There's some of that here, but it is shoehorned into the 'big idea' that wasn't his in the first place. So although you have one of the most powerful folding actors ever (Winslet), the real advance here is in another area.

Hundreds of films have tried to portray dreams and visions, folding them into 'reality.' Some are blunt ('What Dreams may Come'), others frantic ('Pi') and puzzling

('Mulholland Dr'). No one has yet managed the arbitrary slipperiness of visions as successfully as Tarkovsky in 'Nostalgia.'

Part of Tarkovsky's genius is in making ordinary objects exotic by bending the context. But he does his work in large chunks.

Any filmmaker, the real ones, make an early decision about the materials of their creation, just as an architect does. In architecture, you can choose to make the structure out of bricks. These things actually hold the building up. Then you have to design the brick. What's the right size?

Tarkovsky used large bricks, so we could read them from a distance. Rodriguez , for instance, in his second act of 'Once Upon a Time in Mexico,' used what looks like small bricks, but they are just for show: they carry no narrative.

What we have here are small bricks, small minivignettes that come at blinding speed from all tenses and actually hold up the narrative. You need an intelligent actor to help carry this off and in this case we have the redoubtable Kate who is one of our most intelligent masters of this sort of architectural material. After all, her very first film ('heavenly Creatures') was about this same matter: how small a fantasy or memory could be and still create reality.

Ted's Evaluation -- 3 of 3: Worth watching.
2004-04-10
I can't understand how someone can like this movie.
POSSIBLE SPOILERS AHEAD

I was expecting a great movie when I take it. But after 30 minutes watching it I realized that it would be a waste of time.

The idea is interesting, explore the possibility of erasing someone from you mind gives you a wide range of paths to follow to create interest, climax, and sympathy to the main characters. This is not what happens in this movie. The plot is weak, the entire movie is spent to show how he tries to hide his girlfriend in his memory in a very boring way. The memories were not fun, not interesting, and added nothing to the history.

They could have made a much better movie if the history was a comedy, but unfortunately they have chosen a "drama" (supposing it can be classified like this) which makes the watcher expects for its end. Even those romantic comedies are better than this because at least you want the couple to end the history together.
2004-11-28
I saw this when it first came out but didn't have an IMDb account at the time
It's one of my favorite movies ever. I've never had a movie break me down and make my heart ache the way this one did when I first watched it (in the theater no less). Jim Carrey played Joel as a real person and did so in such a believable way that I immediately became impressed with his range when I had been lukewarm about his other attempts at drama.

I've known couples like Joel and Clementine and at some scenes I've been them. Of my friends who didn't like the movie they were always people with no experience or very little. I think what makes people love this movie is realizing how realistic it is and respecting that.

One of the things that makes Eternal Sunshine stand out is its depth. The movie has little hints for you to find and uncover if you watch it multiple times. If you pay close attention you can see that Joel and Clementine have probably erased each other more than once as have other couples. It makes sense that if your memories are gone but who you are as a person is the same that you'd find the same people attractive and have the same desires and of course the same problems and issues. And so one of the main points of the story is a reminder that, "Those who forget history are doomed to repeat it". Therefore, the only way to grow as a person and progress is to keep your memories, no matter how much it hurts.
2010-11-23
This movie is a fine wine; it only gets better with age.
I belong to the same group as Woody Allen and Nietzsche. I wouldn't want to belong to a club that would have me in it. This attitude pervades my life. It includes clubs, relationships, and movies among other things probably. For example, I hesitated to give this, my most favorite movie in the world four stars. I thought, since it is an enjoyable movie, one I enjoyed, I can't give it four stars. I wanted to give it three and a half. But I just watched it for maybe the twentieth time, and I absolutely had to give it four stars.

Four stars does not mean it is perfect. This film is not perfect. I can't describe many movies as perfect. But there are many flawless parts of this movie.

Let me start over with the recapitulation. This movie starts with Joel Barish (Jim Carrey) writing abysmally about Valentine's Day on a snowy beach after he skips work for no reason and falling in love with a woman he has just seen. Oddly, she introduces herself to him, Clementine Kruczynski (Kate Winslet), and though she is immediately strange and exotic and Joel is introverted and boring, they hit it off immediately. For the first twenty minutes. And then there's a snapback. You're ripped from the plot and you realize that you haven't seen the opening credits yet, and you watch them as Joel sobs in his car.

And the movie starts in on this crazy plot with purposeful amnesia, love, and all sorts of other human things.

This is a Charlie Kaufman movie, and if you don't know what that means, then you don't know indie movies (but that's okay. Just make sure you get to know Kaufman). He is a crazy, insane genius screenwriter (see Adaptation, Being John Malkovich, Synecdoche, New York) and his mind is a wonderland. Michel Gondry is a French genius, a director who doesn't seem to direct, but lives within the movie (see The Science of Sleep, Be Kind, Rewind). Both of them are perfect in the film, and it is great that they were the two to make the commentary on the DVD.

Kate Winslet gives the performance of her life in this movie. She disappears. Clementine takes over. There is no trace of Kate Winslet, or Rose from Titanic, or Marianne from Sense and Sensibility. She is fantastic. I cannot praise her performance in this movie enough. Jim Carrey also disappears. You forget Ace Ventura and every movie he ever made. This is his best performance ever. The other "stars" of the movie in its subplot are Tom Wilkinson, Kirsten Dunst, Elijah Wood, and Mark Ruffalo. They are all amazing, with perhaps the exception of Mark Ruffalo, who is simply fitting. But even he fit wonderfully. (Side note: This movie features my favorite actor and actress, Tom Wilkinson and Kate Winslet)

This movie is affecting. That's it. Affecting. It's modern. It takes place NOW, although it could take place anytime. But it's odd for great movies to take place NOW. So often they are placed in another place or time, but this movie is here and now, in your face, so relevant, and it has the feel that it could never be irrelevant. The effects are sparse and perfect when the come, subtle, and helpful, but not a focus at all, the way they are supposed to be.

The music is quite good an fits well. It is quirky and playful in a movie that is often just that.

More than anything, this movie is a good friend. After seeing this for the twentieth time or so, I can quote nearly every line. I can laugh. I couldn't laugh at it the first time. Now it is hilarious, a real situational comedy. Yet, it is more touching each time. It's like a fine wine that only gets better with age.

I would recommend this movie to anyone. Children, old people. Young people in new relationships, old people who have been married fifty years. Everyone.
2009-07-13
Love as Fate and Willing Acceptance
ETERNAL SUNSHINE's narrative is essentially a love story told backwards. It deals with the traditional problem of reverse narrative in a new way. The traditional problem is that if the audience already knows the ending (bitter breakup), then telling the story in reverse asks the audience the question of "is it worth it?" as we watch the story back to the beginning (falling in love). This intellectualizes the experience rather than giving us dramatic action. ETERNAL SUNSHINE deals with this problem of intellectualization by giving the protagonist an active role in the reverse narrative. Joel is able to interact with his old memories to try to stop the process of erasing; this attempt to escape is the major sub- plot of the film. The catharsis of the audience comes with his rediscovery of his love for Clementine as they try to escape together. They fail to escape at the climax of this sub-plot and his memory is erased. But the lovers meet again by fate and once again fall in love. This fake climax of the main love-story plot is placed at the beginning of the film and again at the end of the film – the audience realizes the despite losing all their memory, the lovers meet and fall in love again. If the film ended there, it would have been a good film, and the central idea would have been "Love happens because of fate". But the problem would have been that Joel went through this huge journey of discovery and change but that all seems to go to waste if fate was just going to put them together again – he needs to be the one making an active choice that demonstrates his internal change at climax. The real climax of ETERNAL SUNSHINE comes out of the reversal at the end, in which the Joel and Clementine discover their bitter past and must choose whether or not to commit despite their past. This resurfaces Joel's inner journey. He and she choose to commit, completing Joel's journey of internal change with an external action. The central idea now becomes "Love happens because of fate but it will only result in a happy relationship with open acceptance of each other and the painful compromises that come with love". This real climax fueled by true character change, dilemma and choice is what makes the film great. The climax completes the audience catharsis experienced through Joel's rediscovery of love; as a result he wins the girl and we are touched by a great story.

My Story Chart of this movie is at storycharts.ca
2013-07-19
Interior Landscape
Of all Kaufman's screenplays that delve into the interior landscapes of its characters, Eternal Sunshine is the most fully formed and moving story of the bunch, a rumination on the possibilities and consequences inherent in making the process of removing unwanted memories from your consciousness as easy as going for a checkup. Kaufman here plays on our desire to forget the bad things that happen to us and what happens when we are given the power to forget those things permanently, and the conclusion he arrives at is that it ultimately creates as many - if not more - problems than it solves. At the very least, it can result in making the same mistakes again ("Those who ignore history are doomed to repeat it"); at the worst, it eliminates the possibility of our ever reconciling and coming to terms with our life experiences, the way we relate to the people who help to shape our lives and whose lives we shape through ours.

The film explores these ideas in a novel and engaging way: by taking the audience inside the mind of Joel Barish (Jim Carrey), a man who, after breaking up with his girlfriend Clementine Kruczynski (Kate Winslett), discovers later that she has had her memory of him wiped clean from her mind. He finds out how she had this procedure done and, despondent not only about the breakup but even more so about her having completely erased him from her mind, searches out the doctor who performed the procedure and signs up to have the same procedure done to him, so that he may also have no memory of her. He is rendered unconscious for the procedure but his subconscious is still active. Once the procedure is initiated and he becomes aware that his memories of the woman he loved - and still loves - are vanishing from his brain, he starts having second thoughts and wants the procedure stopped. His challenge then becomes to figure out how to protect as much of his memory of her as he can, and to find a way stop the procedure despite the fact that he is in an unconscious state.

The manner in which he comes to realize and confront his dilemma is played out entirely within his interior landscape, a realm which (as anyone who remembers their dreams upon waking from sleep can attest) is a very surreal extension of our day-to-day experiences. Michel Gondry's visual style and direction works exceptionally well here in conveying the slippery, chaotic unpredictability of the worlds we construct from our memories and experiences; the clever interplay between this interior world and the goings-on of the outside world helps keep the viewer off-balance just enough to illuminate the fuzzy line of demarcation separating the two worlds and the peculiar manner in which they play off one another.

Jim Carrey and Kate Winslett do an exceptional job of bringing this abstract story concept to life with characters that are endearing, poignant, believable and utterly human. The supporting players are equally impressive: Tom Wilkinson as the mind-eraser doctor, Mark Ruffalo and Elijah Wood as the technicians, Kiersten Dunst as the receptionist all have relationships to the main protagonists and to one another that come to light as the story unfolds and help to propel the plot; as friends of Joel and Clementine, David Cross and Jane Adams are hilarious as a couple who seem to be stuck in the same rut that compelled the protagonists to break up and have each other erased from their respective minds. Kaufman juggles all these relationships masterfully and in such a way as to ensure none of them are superfluous to the ideas he is trying to get across in this story.

While there are elements of the plot that seem to place this movie in the realm of science fiction, the focus of the movie stays on the interior states, emotions and relationships between the characters. As such, the film is more of a romantic comedy than anything - albeit unlike any other romantic comedy you're ever likely to see. I saw a late showing of this movie with my girlfriend the day it was released at a local multiplex and there were only 20 or so people in the theater, yet at the film's conclusion everyone broke out in a spontaneous round of applause. This gives an idea of how compelling this movie can be. If you give this film a chance to creep under your skin, you will likely find yourself reflexively thinking about your feelings toward the important people in your life, as well how you relate to those feelings, as well as your memories and how you relate to them. A thought provoking, moving and entertaining film - I can imagine that a working title of this film might have been "Warts And All."
2004-03-22
Big waste of 2 hours of my life
I didn't see so stupid movie for a long time... Story is all over the place, no beginning, no end. Absolutely awful. I don't know how this movie is so good rated in this page. This movie is a big mess, no story, no logic, nothing. Big waste of 2 hour of my life. I hate this kind of movies. I wonder what is going on in the mind of creators of this movie. A big, analogically constructed mess. This movie is just bla bla bla. Slide, slide... Slide, slide. ------------------------- I didn't see so stupid movie for a long time... Story is all over the place, no beginning, no end. Absolutely awful. I don't know how this movie is so good rated in this page. This movie is a big mess, no story, no logic, nothing. Big waste of 2 hour of my life. I hate this kind of movies. I wonder what is going on in the mind of creators of this movie. A big, analogically constructed mess. This movie is just bla bla bla. Slide, slide... Slide, slide. (sorry for my English).
2015-12-11
Carrey excels in an uncharacteristic role and achieves brilliance
Eternal Sunshine of the Spotless mind came out of no where and blew my mind. A friend recommended the movie to me and i was skeptical at the premise. Jim Carrey plays Joel who tries to erase the memories of his ex-girlfriend Clementine, played by Kate Winslet, because she erased him from her memory. To me the movie sounded like a silly comedy movie but it is in fact just the opposite. The tone of Eternal Sunshine is rather dark and serious most of the time.

I was hooked instantly with Jim Carrey's narration. It was brilliant, i instantly empathized with his character. At first you see Joel depression caused by his break up with Clementine. Later in the movie you see several of Joel and Clementines good and bad memories. Along the course Joel realizes his mistake in erasing Clementine and internally struggles with himself and the people performing the process of removing his memories to keep his memories of Clementine.

I felt deep empathy for Joel every memory sad, funny, happy or cruel i felt it as Joel did. Jim Carrey is great in this role. His character is just average Joe, a real easy person to relate to. Winslet creates a unique but still believable character in Clementine. She played the role great. Winslet and Carry's chemistry was great.

The shots were great but every so often the distorted memories got a little to crazy, it was a little disturbing and kind of over the top but maybe that was what the director intended.

Anyone can like this movie. Those who like craft in their movies and those who just like a good love story. Eternal Sunshine of the Spotless Mind is a one of a kind love story with brilliant acting, great editing and sound with a terrific plot.
2009-06-20
Innovative and Amazing! Love it
Love hurts for most of people because we don't really learn how to love and how to live with someone you love. We got our role model for love from our parents but lots of time they didn't even know how to live with someone they love either. And then, we learned how to love and how to communicate the one you love through so many heartbreaks. This movie gives us what we all secretly wish for- a chance to forget something that's hurt us in the past. I have heard a lot of people talking about this movie. I remember I saw once when I was so little. I couldn't understand the whole movie at all at that time, but last year, I watched it again. It totally amazed me, not only the story, but also the scene.
2014-02-24
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