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Le fabuleux destin d'Amélie Poulain
Year:
2001
Country:
Germany, France
Genre:
Fantasy, Romance, Comedy
IMDB rating:
8.5
Director:
Jean-Pierre Jeunet
Audrey Tautou as Amélie Poulain
Mathieu Kassovitz as Nino Quincampoix
Rufus as Raphaël Poulain
Lorella Cravotta as Amandine Poulain
Serge Merlin as Raymond Dufayel
Jamel Debbouze as Lucien
Claire Maurier as Madame Suzanne - la patronne du café
Isabelle Nanty as Georgette
Dominique Pinon as Joseph
Artus de Penguern as Hipolito
Yolande Moreau as Madeleine Wallace
Urbain Cancelier as Collignon
Maurice Bénichou as Dominique Bretodeau
Storyline: Amélie is a story about a girl named Amélie whose childhood was suppressed by her Father's mistaken concerns of a heart defect. With these concerns Amélie gets hardly any real life contact with other people. This leads Amélie to resort to her own fantastical world and dreams of love and beauty. She later on becomes a young woman and moves to the central part of Paris as a waitress. After finding a lost treasure belonging to the former occupant of her apartment, she decides to return it to him. After seeing his reaction and his new found perspective - she decides to devote her life to the people around her. Such as, her father who is obsessed with his garden-gnome, a failed writer, a hypochondriac, a man who stalks his ex girlfriends, the "ghost", a suppressed young soul, the love of her life and a man whose bones are as brittle as glass. But after consuming herself with these escapades - she finds out that she is disregarding her own life and damaging her quest for love. Amélie then ...
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Reviews
A Monumental, Creative Story
Amelie might just be the closest thing to a perfect movie. The movie Amelie shows you how destiny takes its toll on everyone and anything and the true meaning of value.Besides Amelie being a great movie, there is beautiful scenery included in the film only adding to the masterpiece that it already is. It can truly inspire you and makes you fall in love with Amelie herself as she takes you on a riveting journey to find what she really wants, LOVE. The film is very abstract and although it is not everyone's taste, it'll delight you from beginning to end while cheering on Amelie. The acting in this movie all come together extremely Well and make the motion picture great.There is nothing really left to say besides the fact that Amelie is a masterpiece that will stick with you for the rest of your life as it keeps you thinking and deciding just like the character Amelie did.
2013-11-27
Not a fan
It is very possible that I don't have the intellect or the ability to appreciate cinematic masterpieces. However, free speech enables me to voice my less than enthuasitic endorsement of Jeunet's "Amelie".

Jenuet's "Amelie" is one of those feel-good movies that makes people dream into believing anything is possible. Its very "nice" and a commendable deed indeed; however, Jenuet fails to deliver ... I would have much appreciated subtelty in depicting the everyday Parisians ... not an aggressive, preachy, in your face romanticism that seems to lack genuine warmth.

I was not a huge fan of Jeunet's style - his love for hurried camerawork, frequent character zoomins and other visual imagery (the key in her pocket when she makes a duplicate) was distracting and served to just underline the lack of genuine warmth.

The saving grace of the movie is the obviously talented Audrey Tautou who plays the role of the outsider to the T. Her understanding of the role prevents the movie from becoming another fuzzy role of a girl we root for as she changes the world.

I am not a cynic - but I did get bored with the method employed by Jeunet. After a while, the movie just kept on dragging. Tautou does a good job; and, I did like the colours used in each frame which gave the movie more life than it really had.

2003-05-12
Charming, magical film
"Amelie" is a charming, adorable film.

Despite being a bit strange, this is still a lovely romantic comedy, with an incredible visual aspect, and great performances.

The main character was unique and the performance of Audrey Tautou was completely unforgettable (And easily the best performance of her entire career) The rest of the cats was great here, too.

I loved every single aspect of this film. It is one of my favorite films from all the history, and I would recommend it to anyone. I don't think this movie is overrated at all, in fact it deserves even more praise and raving reviews. It is that good.
2011-05-19
She makes ME fall in love too!
To start off with, I heard a lot of good things about this movie when it was on the big screens but never got around to see it before it disappeared. Sitting here, long after in the aftermath, I might never forgive myself for missing that opportunity. Eventually I did get around to see it, though a small TV never does a film the same justice a theater does, and being a bit sceptic about the small hype this movie caused made me prejudice about it, but I must say I have never been so wrong before. And I am happy saying it.

This movies biggest crime, and yet its biggest asset, is that it is in French. Subtitles just does not bring full justice to a movie like this, and it is bound to scare off most of the audience not used to subtitled movies. Sad to say so, but I believe it is the truth. I do not know any French at all, but I sure wish I was fluent watching this movie!

Compared to most other films "Amelie" (and I will stick to "Amelie" since "Le Fabuleux destin d'Amélie Poulain" is a bit long to write) is based on a rather ordinary and plain story everyone can relate to, but it is given to us in a very special kind of way, mixed with wonderful little subplots and an almost chaotic amount of details. We get to see and experience the world and especially Paris through the filtering eyes and fantasy of Amelie, A Paris that might feel small and limited on the screen but in fact is just as big as it is in the eyes of Amelie.

Director Jean-Pierre Jeunet brings to life the world of Amelie with colors, masterful camerawork and a few special effects (Well, I have certainly felt like melting a couple of times too in my life!). Some people I spoke to before seeing "Amelie" criticized it for being too childish and unrealistic, but I believe it is an essential part of the movie since Amelie herself is a very childish and imaginative young girl. She just happens to fall in love one day when she decides to embark on a quest. Jean-Pierre Jeunet manages to bring us along without losing control of the set or the plot. It is exactly this kind of movie that could easily be overdone and lose all of its magic in the hands of the wrong person, but Jean-Pierre Jeunet never slips a single time. For you who think you never heard of him before he is actually the same man who brought us "Alien 4" back in 1997, (I still refuse to believe he was involved in that horrible film...), and the wonderful "Delicatessen" in 1991.

Audrey Tautou could not be overemphasized for her importance in portraying Amelie. I am a bit embarrassed admitting it but I was almost falling in love with Amelie myself, forgetting she was only fiction on the screen. However she does not carry "Amelie" solely by herself. The cast makes an excellent whole and it is hard imagining switching anyone without affecting the whole outcome. Everyone manages to make the most out of their role and even though we only get to know some of them briefly they come alive just as much as Amelie herself does.

I could go on forever about "Amelie". It contains so many details and switches in tempo and camerawork it has to be seen more than once to take in and understand everything. Damn it, "Amelie" made me happy, laughing out loud at times, and very few movies affects me like that.

I very rarely give movies a 10, and I was indeed considering a 9 for a while, but for me this is one of those movies I will come back to time after time. Long after the CG thrills of hyped fantasy movies and big budget Hollywood productions have faded and been forgotten, Amelie will still be jumping around in my heart, doing all those silly and charming little things I wish I dared to do too...
2003-01-02
Magical Realism for a cynical world...
**very mild spoilers**

I rented "Amelie" reluctantly. I had the impression that it would be a "girlie" film with meandering narrative and boring angst-ridden characters.

I am so glad I was wrong! What I did get was a "magical realism" tale of an introverted woman trying to improve the lives of the people around her. Amelie, through clever scheming and gentle intervention, facilitates delightful life experiences for her fellow characters.

The film does move at a slower pace, but the plot points are endearing, and it never drags. Every scene has a subtextual significance, where every shot adds a tiny sense of guilty voyeurism as we peek gentle into these people's lives.

The plot devices are purposely stretched to fantastical lengths at times. Laurant and Jeunet use this "magical" aspect of the realism to cultivate an optimism and effervescence that you won't find in any Hollywood movie today. The mood is always dreamy in this film, yet is never childish.

The characters will warm your heart. Audrey Tatou is perfect as the shy-yet-smouldering Amelie, and Jamel Debbouze is perfect as the impish Lucien.

You will love the sub plots of Amelie convincing her father to travel, and how she seeks gentle vengeance on the wicked grocer. The scheme to introduce herself to Nino, and the plot to do matchmaking at the cafe. All of these little stories are bound to tweak your heartstrings!

In the end: Amelie will leave you with feeling that "Pay it Forward" should have left you with... a buoyant and optimistic affection for humanity and life!

I highly recommend this movie to anyone, whether you are an action fan, an intellectual, or a feel-good Hollywood movie buff. There are clever plot elements and characterization that are good for all movie fans!

9 kernels of popcorn out of 10.

2002-11-25
Original by over-hyped
I saw this film last night, and I think a second viewing might well be worth it. What is good about the film is its originality, the method of filming, the lighting effects, the background music and certain items of the script.

What is bad is its length - the plot doesn't justify 2h10 of film. The whole thing could have easily been locked into 90 minute stint. The other thing is that Paris as portrayed in the film does not really exist as such - it is far more violent, dirty and crowded than the film would suggest.

The film has to be taken as a fairy tale in an imaginary city and in no way connected to present-day reality. But it will no doubt nourish the illusions of foreigners to Paris about the city !

Too much hype has been created over the film - true it is a visual feast and the use of dominant yellow tones ( like Oh Brother ) and a great deal of wind lend a special atmosphere but the plot is overstretched.

Without doubt, the same plot shot by Americans would have had far better results. Over all though, definitely worth a viewing but not if you're feeling too tired. The leading actess, Tautou is cute, and I loved Isabelle Nanty in the role of the tobacconist !

2001-06-23
STALKER!
OK, everyone seemed so impressed with this film that I decided to check it out. Then after reflecting on the absolute blubbering and swooning that most people did about this film I decided to register with IMDB and just see if there might be anyone in agreement with me? Sure the film making is wonderful. Sure it's sort of non-banal escapism. Sure it's "not like anything else seen before," but it seems that what almost everyone reviewing this film is enamored is the "cute factor" and ignoring what is screamingly obvious. The lead character, is apparently a cute, little stalker of a girl, with a plucky, yet dogged tenacity, and a sheepish grin. Sure, no one is murdered in a particularly heinous fashion, and the musical score never once makes you bristle and feel like what she is doing is out of line, but take Audrey Tautou out of the lead and give it to someone like oh say, Roseanne Barr-Arnold, and the tenor of the film gets really dark really quickly. Or just reverse the sexes of the lead actors in the film for that matter. It's seems odd to me that the newest criminal blight de jour is stalking, (and not just the headline grabbing celebrity stalking,) and everyone is up in arms if an ex-lover, romantic, "admirer", or frequent passerby (stalker by today's standards) so much as breathes out of line in regards to their said "target" and they are immediately banished to the fringes of society or locked away. But put a happy little face on it and some devilishly cute eyes and perhaps some long sexy legs and everyone is ready to forgive her stalking actions and attribute it to delightful eccentricity and / or whimsy. This movie is definitely a mixed message. In the present political climate, it's best to take heed of what messages you take in and not to take them at face value but to look deeper and see what the real message is. The screamingly apparent message of this movie is that if you are cute and sprite-ful, you can be a stalker, win the target of your obsession, and get away with it. And the funniest thing is, everyone seems to have ignored the fact that that is THE major theme in this film, and because of the stylistic film making, they have just fallen head over heels in love with it and completely ignored the face value substance of the film. If stalking is cute, change the laws in your state.
2003-01-27
Pleasant fluff, but WAY overrated!!!
There are no complaints when watching "Amelie." It is pleasant enough, and it even displays a bit of depth that is the hallmark of better romantic and "feel good" comedies. However--- it isn't a great movie. It is no masterpiece. The foppish poseurs who drool over this light fare as if there were beholding some amazing jewel is getting a bit annoying. In the artsy theater in our town, I could hear the forced and hollow "salon chuckles" of the local cognoscente wannabes, as if displaying to us all that they, too, "get it." Humbug! Those folks should get out more!

This is a good movie, and it deserves to be watched and enjoyed. But dang, folks... while this emperor's new clothes may not be totally imaginary, he is, nonetheless, given all the uber-hype and Oscar predictions for this cinematic bauble, severely underdressed.
2002-01-16
Fantastic...
It is the best film i've ever seen.Only the French could make films as good as this. Amélie explores the trivial things in life and it brings you to some realisations of your own in that our lives are so simple and we only need the simplest of things to keep us happy. Amélie is a must for anyone
2003-12-30
Great to a point, but slips (Spoilers)
Unlike Jean-Pierre Jeunet's Cité de enfants perdu which never has a period, or moment of greatness, Amélie manages to be great and wonderfully inventive for about the first half hour until Bretodeau gets his box back. After that it's as if we've watched the origin story of a super hero and then watch her go about her daily routine (changing from Clark Kent to Superman, so to speak). The film then hits a structural snag, whereas, now Amelie has satisfied the desire of one man she goes off and tries to help everyone almost at once and we are told of these incidents simultaneously. The film had its greatest grip on me when we were focused on one story, there would've been nothing wrong with vignettes after all it was good enough for Truffaut in Small Change. Amelie begins wonderfully, with voice-over narration of her early life which the French seem to be masters at, the best example of voice-over being in Leolo a Quebecois film. Her childhood full of its strange events come across as hilarious whereas other cultures might have botched them making them distasteful, the death of her mother being a perfect example. The quirky humor is about the only thing that never leaves the film from the ticket taker who now punches holes in plants, the stuffed dog, the traveling gnome etc. When Bredoteau finds his box we flashback to what memories those items held for him in what are truly beautiful moments of the film. This is my moment of highest involvement, that sequence was a pinnacle which the narrative never achieved again. Part of the problem is the predictability the film later runs into. I'm terrible at guessing the ends of movie but once we were introduced to Nino and told of his past I knew that he and Amelie would end up together. So obviously, it was nerve-wracking and annoying that she was so painfully shy and prolonged the movie unnecessarily. Then there's the almost American complication in the relationship between Georgette and the bar drunk by her talking to Nino were so uncalled for. Then we also have the "Glass Man" and Amelie pondering Renoir's painting. While in the beginning it's commenting on Amelie is subtle it becomes more and more overt as the film moves on. The there are Jeunet's shots of Amelie smiling to extract her cuteness for some affect and frankly she's not all that cute and the shots are inorganic which is even worse. The special effects also eventually become pedantic when the key in her pocket shines, it makes me wonder what kind of film this would've turned into if Jeunet had been given a Lucas-like amount of special effect allowances in the budget. The cinematography in this film is quite spectacular but in certain instances the effects downplay what they have been able to do with the camera. The change in structure of this film ultimately creates a domino effect. While I can't re-write the film I wonder if I would be nit-picking so much if there hadn't been such a shift in the way the story was told. In the end Amelie is an enjoyable experience that may just have indulged its premise a bit too much-6/10.
2003-01-31
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