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Schindler's List
Drama, Biography, History, War
IMDB rating:
Steven Spielberg
Liam Neeson as Oskar Schindler
Ben Kingsley as Itzhak Stern
Ralph Fiennes as Amon Goeth
Caroline Goodall as Emilie Schindler
Jonathan Sagall as Poldek Pfefferberg (as Jonathan Sagalle)
Embeth Davidtz as Helen Hirsch
Malgoscha Gebel as Wiktoria Klonowska
Shmuel Levy as Wilek Chilowicz (as Shmulik Levy)
Mark Ivanir as Marcel Goldberg
Andrzej Seweryn as Julian Scherner
Friedrich von Thun as Rolf Czurda
Krzysztof Luft as Herman Toffel
Harry Nehring as Leo John
Storyline: Oskar Schindler is a vainglorious and greedy German businessman who becomes an unlikely humanitarian amid the barbaric Nazi reign when he feels compelled to turn his factory into a refuge for Jews. Based on the true story of Oskar Schindler who managed to save about 1100 Jews from being gassed at the Auschwitz concentration camp, it is a testament for the good in all of us.
Type Resolution File Size Codec Bitrate Format
720p 1280x696 px 1863 Mb h264 1334 Kbps mkv Download
HQ DVD-rip 720x384 px 1432 Mb h264 1025 Kbps mp4 Download
Extremely nerve catching and heartfelt. worth the time 100%
I watched this film and instantly was fixed it is an extremely sesertiv film played so well by its cast eye opening for all to see a glimpse of what was going on in the death camps and our world war 2 battle agains evil Hitler and a beautiful story of a man trying to save he's fellow man and women from death every life saved was not enough it's hard to grasp some parts but very captivating and yet so upsetting to remember all the treacherous deaths of so many innocent people sent to the gas chambers and Schindler was buying the Jews to save them from death it's a must watch film and lovely in some way even tho there is so much upset it's a balance just rite it's not easily forgotten but much needed as this is real in life this should be a good film for lots to learn
A Masterpiece in shades of Grey
The Greatest masterpiece of veteran director Steven Spielberg, Schindler's List is an emotional and harrowing account of the Holocaust during the Second World War. The movie delves deep into the darkness of human heart and depicts the metamorphosis of a shrewd businessman and womanizer into the greatest philanthropists humanity has ever seen.

The movie is almost entirely shot in black and white which gives it a grim and timeless look, a remarkable effort by the cinematographer Janusz Kaminski.

The acting is brilliant. Liam Neeson as Oskar Schindler has given his career best performance for which he received an Academy Award nomination. Ben Kingsley has also stood well with him in his role of his Jewish accountant Itzhak Stern. However, it is Ralph Fiennes who has stood apart in his portrayal of Amon Goeth, a sociopath Nazi officer without a moral code. Unfortunately, he did not win a well deserved Academy Award for supporting actor.

Furthermore, John Williams has come up with a brilliant score bringing out the misery, horror and tragedy of the Holocaust.

Schindler's List is Spielberg's unforgettable piece of art that makes one cry many times over, especially in the final moments of the three hour seventeen minute epic. Its a must watch.
don't take this personally
Perhaps I should be shot, but I think four minutes of "Springtime for Hitler" is a more ingenious and powerful argument against anti-Semitism than four hours of "Shoah."

Many Jews attribute the resilience of their culture to a capacity for laughter in the face of catastrophe. As Saul Bellow said, "Oppressed people tend to be witty." Pogroms didn't start with Hitler; by the time the Spanish Inquisition burned a hundred thousand Jews, the story of Jewish oppression already could fill many volumes. Many peoples once multitudinous have perished from the earth: there are no Carthaginians left. There are no more Thracians to speak of. The Celts live only in musical traditions and some old literature, having been subsumed by their conquerors. Their gods are dead, and their languages, or nearly so. But the Jews thrive on. Something kept hope alive under Stalin, under Isabella, under the Caesars. A sense of humor is a great virtue, not to be undervalued.

But in order to make sure I appreciate the horror of the events portrayed, this movie cheats me of a glimpse at real life. The situations don't live as they might, because all the time I'm being flogged with message. There is no even partially redeemable Nazi in this movie, and Schindler's own late-stage change of heart is presented with such suddenness that the movie veers into melodrama. And even melodrama need not be propaganda; Minnelli and Ray always left us with choices. But "Schindler" must be classified as propaganda because it lacks the truth of even gallows humor, which by many reports existed in great abundance in the ghettos and even in the death camps.

The films of Bunuel and Altman are often political but rarely propagandist. The films of Michael Bay and Marcus Nispel are always propagandist and not always political, though they are of course always bad. So propaganda need not be political, and politics need not be propaganda. This shouldn't need saying, but in the modern age of American politics, it's worth remembering. I wish Steven Spielberg remembered it.

One can define propaganda objectively as a sort of forced perspective, a narrow range of potential reactions for the viewer. Propaganda is the use of art to persuade. It turns art into an expository essay. Propaganda is therefore by definition a limited form, limited by its very agenda. The tools of propaganda become less necessary the more inherently obvious the subject matter; the mass extermination of a people would seem to me to fit this category. So I think the style of this movie is unfortunately maudlin, an overkill on the negative. I am not heartless; I hate hate as much as anybody, and I celebrate Jews and all humans as valuable and not for burning. But is there no other way to express a political point than to make me cry for three hours?

The fact is that film as a medium lends itself to propaganda. There is a decision made about every angle; literally, the perspective is chosen for the viewer. This is not the case with other arts, with musical performance, acting, writing, sculpture; but the more visual the medium, the greater its tendency to make statements and the less its potential for ambiguity. It takes a lot of skill to manage a visual art form into something with real depth, into a question rather than an answer.

You can make propaganda about love, like "Love Story" or "English Patient"; you can make propaganda out of character, like "Patton" or "Lawrence of Arabia." The easiest and most common sorts of propaganda are flag-waving and hate-mongering - what's found in state of the union addresses and election campaign ads. At its best, propaganda can remind us of our values, of our responsibilities, of our mythologies and potentials; and so it can be a great good. At its worst, propaganda may contain any of the faults of any medium - it may be bland, dull, predictable. When it is these things, it is not very persuasive, and so it fails at its main intent.

In this light, "Schindler's List" is maybe the second-best type of propaganda. It has real emotion, a compelling story, myriad technical virtues; it leaves me with no choice but to agree with it, but of course I agree with it already insofar as genocide is not a force for good. The movie moves me to an extent. But it lacks comedy, the propagandist's most effective tool; and so when it pretends to explore a range of humanity, it tells a half-truth.

Liam Neeson plays an excellent cad, and Ralph Fiennes' raptor beak was never used to more terrifying effect. (It is among the many faults of the "Harry Potter" movies that they cut off his nose.) But I prefer "The Pianist" as a portrait of Nazi-occupied Poland. Aside from possessing greater artistic powers than Spielberg, Roman Polanski has an immensely deeper capacity for human truth. He does not preach, and he is not strident, and he is not sentimental. And he allows Adrien Brody to make me laugh occasionally, not as often as he makes me cry but sometimes. Shakespeare's trick of contrasting tragedy with comedy is not simply effective storytelling; it is a view to a more realized universe. "Jaws" has it. "E.T." has it. But Spielberg apparently felt that to be funny about the Holocaust would be in bad taste.

As far as propagandist filmmakers go, I'll take Charlie Chaplin or Paul Verhoeven. They are at least funny; the pill of "Great Dictator" or "Starship Troopers" goes down more easily, more persuasively, therefore more effectively, than the pill of "Schindler" or "Private Ryan."
One of the best movies of all time!
This move is shocking with its brutality but also made me cry, because of the people's motivation to survive! every aspect of this film is innovative and the one who's watching it cannon see anything even close to what this film is about. another masterpiece of King- the King of directing. Main roles and extras are playing like never before. This is a must see film, involving every aspect of life and death itself. The war is bad but also beautiful with its strange aspects and turns. The situation and all the scenes in the film are unique and the atmosphere catches you from the first moment on. In one moment you will stop realizing this is a film and will totally dive into the whole feeling of being a part of that altered reality. Definitely a film, that should be watched with a nice party- from beginning till the end! Happy watching! Enjoy!
What a film..
a gripping story, with beautiful shots, and a direction of master himself. a story that takes you to the lane of past and force you to feel that pain and go through their journey. that's the beauty of cinema.. loved it. everything was looking so good, whether acting, music, sound, cinematography, editing. everything was so fantastic. specially the colors,and how they use the contrast of that red blazer, to show the authenticity and pain of those people, the helplessness of those. There are some of the most true and graphic scenes here ever captured on celluloid. People being shot for no particular reason, hiding in fear, stripped and gased, abused......so much so that viewers watching it for the 1st time will be deeply affected.
A film to watch over and over again
The feelings I experienced while viewing this film are almost indescribable. I am an avid fan in World War II history but more specifically Holocaust history. It is my belief that humanity has a huge lesson to be learned from cowardly acts such as the Holocaust, and this movie has an uncanny way of helping pass the message along. This film shows human compassion even in the darkest of times. I do not think my eyes were dry at all during the movie-I found it so deeply moving. My rating of 10/10 originates from both the acting as well as the message gained. The movie will have a place not only on my shelf but also in my heart.
Great Film
Absolutely Great film. Very moving and definitely a must see. Shot in black and white, with the odd carefully chosen touches in colour, the horror of the holocaust is laid bare and speaks for itself. The documentary style allows Spielberg to deliver his message without preaching. The clever use of light and shade also makes it visually stunning. When Oskar Schindler visits a night club, he looks like a 1930s movie star as his cigarette smoke spirals above his head, his eyes hidden in the shade.

It is the story of German businessman Oskar Schindler which captivates right to the end. He is transformed from physically imposing, charismatic philanderer to the humbled man, wishing he had saved more lives.

You watch nervously as he tries to save over a thousand Jews from almost certain death in concentration camps by getting them to work in his factory. He bribes officials and befriends Nazis including evil camp commandant, Goeth, played brilliantly by Ralph Fiennes.

Spielberg has cleverly juxtaposed Goeth and Schindler as two sides of the same coin. They both love the finer things in life, easily swayed by money and women. Playing on this, Schindler tries to show his contemporary that power can be better served by sparing people's lives rather than taking them. It is an idea that Goeth acknowledges, but is destined not to adhere to for long.

The film finishes on a powerful note in present day with the real Schindler survivors and their descendants visiting his grave. It is the final reminder that this is a true story of one man's bravery and that in "saving one life, you save the entire world".
Malaysia did NOT ban this film !!!
Contrary to popular belief, the Malaysian Government did NOT ban the film. All the Govt wanted was to edit/delete NUDITY scenes in keeping with the country's strict censorship laws (and laws against public nudity) which applies to ALL films, not just this one.

However Mr Spielberg's petulant & intransigent insistence that the film be unadulterated (no one censors HIS films, you see) meant that the film could not be seen at cinemas.

Malaysia did however allow the DVD to be rented/purchased hence people could still see the film in the privacy of their homes. The same policy applied to Mel Gibson's "The Passion of Christ" where the Government did NOT ban the film. It simply stipulated tickets be sold strictly at Christian churches only. Not bad policies & compromises when you consider that this IS a Muslim country.
Good, but overrated.
Visually, this film is fantastic. It is very well directed, and easily deserved the acclaim for its cinematography and its direction. However, beyond that, there is really nothing spectacular.

If I'm being honest, this film felt kind of desperate to me. I watched it feeling as if I was watching a film designed to win Oscars and to cash in on a tragic event like this, and I think the fact that it's in English as opposed to Polish and German (which would be more authentic) prove this. Spielberg has made a very commercial film, and I feel like it loses a lot of its power due to this. I feel like The Pianist, by contrast, is more real, it feels very raw and fresh, whereas this almost felt gimmicky. I felt like it was trying too hard, and got lost.

Finally, Liam Neeson really ruined this film. His acting was laughable, it was actually embarrassing seeing him fluctuate between an Irish and 'German' accent. Ralph Fiennes was great as always, but Neeson was a joke.

This is a pretty good film, it's not bad, but it's certainly not worthy of a place in the top 100, let alone top 10.
Oskar's humanitarianism gone for nought
Poor Oskars's remarkable and more than brave endeavor in saving human lives during the dark days of WW2 in Europe almost immediately takes a back seat to the lamentations of the filmmaker in perpetuating the plight of a certain group of people on which unspeakable atrocities were perpetrated upon. A film that helps promote liberties taken over the years by that certain group of people from anything to a good seat at the Opera to unabated attempts to destroy other people's beliefs and right to exist.

This film is (unfortunately), not about a man's humanitarian well-meant efforts to do what he could to help to save a group of desperate and obviously(for most of them) doomed to their certain death, people.

The point that came across was visually witnessing the random acts of a certain person committing atrocities and exaggerating them to an extent that diminished what really happened to those people. In trying to add visual credibility via sensationalism made a mockery and a not so subtle message that a certain group of people have rights forever to commit atrocities to avenge what befell them over the centuries. If there is such a thing as a hate film, well this is it, generalizing 40 million people as monsters for the actions of a handful of lunatics sanctioned by the so-called Allies that were still full of boast and smugness and let's face it, blindness to what was going on. In short, the filmmaker's point was very subjective, to put it mildly.
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